. slides/IMG_9631.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. slides/IMG_9631.JPG slides/IMG_9629.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. slides/IMG_9629.JPG slides/xti_1383.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. slides/xti_1383.JPG slides/xti_1390.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. slides/xti_1390.JPG slides/xti_1395.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. slides/xti_1395.JPG slides/xti_1391.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. slides/xti_1391.JPG slides/xti_1382.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. slides/xti_1382.JPG slides/xti_1407.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 View of Albi Cathedral at sunset from across the River Tarn to the north. The Bishop's Palace and its fortifications are in the foreground. View of Albi Cathedral at sunset from across the River Tarn to the north. The Bishop's Palace and its fortifications are in the foreground. slides/xti_1407.JPG slides/xti_1416.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 View of Albi Cathedral at sunset from across the River Tarn to the north. The Bishop's Palace and its fortifications are in the foreground. View of Albi Cathedral at sunset from across the River Tarn to the north. The Bishop's Palace and its fortifications are in the foreground. slides/xti_1416.JPG slides/xti_1412.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 View of Albi Cathedral at sunset from across the River Tarn to the north. The Bishop's Palace and its fortifications are in the foreground. View of Albi Cathedral at sunset from across the River Tarn to the north. The Bishop's Palace and its fortifications are in the foreground. slides/xti_1412.JPG slides/xti_1406.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 View of Albi Cathedral at sunset from across the River Tarn to the north. The Bishop's Palace and its fortifications are in the foreground. View of Albi Cathedral at sunset from across the River Tarn to the north. The Bishop's Palace and its fortifications are in the foreground. slides/xti_1406.JPG slides/IMG_9581.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. slides/IMG_9581.JPG slides/IMG_9580.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. slides/IMG_9580.JPG slides/xti_0448.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. slides/xti_0448.JPG slides/IMG_9579.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. slides/IMG_9579.JPG slides/xti_0444.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. slides/xti_0444.JPG slides/xti_0449.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. slides/xti_0449.JPG slides/IMG_9577.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. slides/IMG_9577.JPG slides/IMG_9576.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. slides/IMG_9576.JPG slides/IMG_9578.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. slides/IMG_9578.JPG slides/xti_0641.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0641.JPG slides/IMG_9583.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/IMG_9583.JPG slides/xti_0454.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Exterior view of the north side near the west end. The gargoyles date from the 19th century but everything else is 13th- and 14th-century. Exterior view of the north side near the west end. The gargoyles date from the 19th century but everything else is 13th- and 14th-century. slides/xti_0454.JPG slides/xti_0459.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. The great belfry at the west end dates from 1355-66 and rises 78 meters high. The tower is roughly square with rounded buttresses at the corner; each tier supported by a rounded quarter-arch and decorated with a quatrefoil railing. At the top is a newer octagonal portion (1485-92). The tower is nearly as wide as the nave, which has no side aisles. slides/xti_0459.JPG slides/xti_0460.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0460.JPG slides/xti_0461.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0461.JPG slides/xti_0462.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0462.JPG slides/xti_0524.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Exterior view of the north side near the west end. The gargoyles date from the 19th century but everything else is 13th- and 14th-century. Exterior view of the north side near the west end. The gargoyles date from the 19th century but everything else is 13th- and 14th-century. slides/xti_0524.JPG slides/xti_0525.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Exterior view of the north side near the west end. The gargoyles date from the 19th century but everything else is 13th- and 14th-century. Exterior view of the north side near the west end. The gargoyles date from the 19th century but everything else is 13th- and 14th-century. slides/xti_0525.JPG slides/xti_0526.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Exterior view of the north side near the west end. The gargoyles date from the 19th century but everything else is 13th- and 14th-century. Exterior view of the north side near the west end. The gargoyles date from the 19th century but everything else is 13th- and 14th-century. slides/xti_0526.JPG slides/xti_0528.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Exterior view of the north side near the west end. The gargoyles date from the 19th century but everything else is 13th- and 14th-century. Exterior view of the north side near the west end. The gargoyles date from the 19th century but everything else is 13th- and 14th-century. slides/xti_0528.JPG slides/xti_0530.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Exterior view of the north side near the west end. The gargoyles date from the 19th century but everything else is 13th- and 14th-century. Exterior view of the north side near the west end. The gargoyles date from the 19th century but everything else is 13th- and 14th-century. slides/xti_0530.JPG slides/IMG_9634.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Exterior view of the tall, narrow choir at the east end. Exterior view of the tall, narrow choir at the east end. slides/IMG_9634.JPG slides/xti_0637b.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The elaborate south porch was added by Bishop Dominique de Florence (1394-1410), incorporating an earlier round tower. The elaborate south porch was added by Bishop Dominique de Florence (1394-1410), incorporating an earlier round tower. slides/xti_0637b.jpg slides/xti_0635.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The elaborate south porch was added by Bishop Dominique de Florence (1394-1410), incorporating an earlier round tower. The elaborate south porch was added by Bishop Dominique de Florence (1394-1410), incorporating an earlier round tower. slides/xti_0635.JPG slides/xti_0640.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The elaborate south porch was added by Bishop Dominique de Florence (1394-1410), incorporating an earlier round tower. The elaborate south porch was added by Bishop Dominique de Florence (1394-1410), incorporating an earlier round tower. slides/xti_0640.JPG slides/xti_0644.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The elaborate south porch was added by Bishop Dominique de Florence (1394-1410), incorporating an earlier round tower. The elaborate south porch was added by Bishop Dominique de Florence (1394-1410), incorporating an earlier round tower. slides/xti_0644.JPG slides/xti_0631.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The elaborate south porch was added by Bishop Dominique de Florence (1394-1410), incorporating an earlier round tower. The elaborate south porch was added by Bishop Dominique de Florence (1394-1410), incorporating an earlier round tower. slides/xti_0631.JPG slides/xti_0628.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 A huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. A huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. slides/xti_0628.JPG slides/xti_0629.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 A huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. A huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. slides/xti_0629.JPG slides/IMG_9657.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 A huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. A huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. slides/IMG_9657.JPG slides/IMG_9704.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 A huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. A huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. slides/IMG_9704.JPG slides/xti_0565.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 A huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. A huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. slides/xti_0565.JPG slides/xti_0567.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. slides/xti_0567.JPG slides/IMG_9674.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. slides/IMG_9674.JPG slides/IMG_9673.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. slides/IMG_9673.JPG slides/IMG_9675.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. slides/IMG_9675.JPG slides/xti_0552.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. slides/xti_0552.JPG slides/xti_0553.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. slides/xti_0553.JPG slides/xti_0556.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Punishment of Gluttony by terrifying devils. Detail of the huge (16.4m x 15.6m) mural of The Last Judgment that covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the the most important works of art of the Late Middle Ages. Punishment of Gluttony by terrifying devils. Detail of the huge (16.4m x 15.6m) mural of The Last Judgment that covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the the most important works of art of the Late Middle Ages. slides/xti_0556.JPG slides/xti_0558.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. slides/xti_0558.JPG slides/xti_0560.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. slides/xti_0560.JPG slides/xti_0554.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. slides/xti_0554.JPG slides/xti_0555.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. Detail of the huge (16.4m x 15.6m) mural of <em>The Last Judgment</em> covers both sides of the rounded west wall of the nave. Painted between 1474 and 1484 by unknown Franco-Flemish artists, it is considered one of the most important works of art of the Late Middle Ages. The painters were contemporaries of Hieronymus Bosch and the horrifying scenes of Hell are reminiscent of his work. slides/xti_0555.JPG slides/IMG_9662.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Modern altar in the west end, beneath the Last Judgment mural. Modern altar in the west end, beneath the Last Judgment mural. slides/IMG_9662.JPG slides/xti_0559.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Painted arch at the west end, between the nave and the west tower. On either side can be seen the 15th-century mural of <em>The Last Judgment</em>. The organ is at the top of the photo. Painted arch at the west end, between the nave and the west tower. On either side can be seen the 15th-century mural of <em>The Last Judgment</em>. The organ is at the top of the photo. slides/xti_0559.JPG slides/IMG_9676.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/IMG_9676.JPG slides/xti_0561.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Albi Cathedral's vault frescoes are the largest (97 meters long by 28 meters wide) work of Italian Renaissance painting to be found anywhere in France. Commissioned by Louis II d'Amboise and dating from 1509 to 1512, the work was carried out by a team of Italian painters from Modena and Bologna. Set against a background of deep blue sky, the frescoes depict various designs, pastoral scenes, and major characters and events from the Old and New Testaments. Two sections are dedicated to St. Cecilia, patroness of the cathedral. Albi Cathedral's vault frescoes are the largest (97 meters long by 28 meters wide) work of Italian Renaissance painting to be found anywhere in France. Commissioned by Louis II d'Amboise and dating from 1509 to 1512, the work was carried out by a team of Italian painters from Modena and Bologna. Set against a background of deep blue sky, the frescoes depict various designs, pastoral scenes, and major characters and events from the Old and New Testaments. Two sections are dedicated to St. Cecilia, patroness of the cathedral. slides/xti_0561.JPG slides/IMG_9694.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/IMG_9694.JPG slides/IMG_9690.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Albi Cathedral's vault frescoes are the largest (97 meters long by 28 meters wide) work of Italian Renaissance painting to be found anywhere in France. Commissioned by Louis II d'Amboise and dating from 1509 to 1512, the work was carried out by a team of Italian painters from Modena and Bologna. Set against a background of deep blue sky, the frescoes depict various designs, pastoral scenes, and major characters and events from the Old and New Testaments. Two sections are dedicated to St. Cecilia, patroness of the cathedral. Albi Cathedral's vault frescoes are the largest (97 meters long by 28 meters wide) work of Italian Renaissance painting to be found anywhere in France. Commissioned by Louis II d'Amboise and dating from 1509 to 1512, the work was carried out by a team of Italian painters from Modena and Bologna. Set against a background of deep blue sky, the frescoes depict various designs, pastoral scenes, and major characters and events from the Old and New Testaments. Two sections are dedicated to St. Cecilia, patroness of the cathedral. slides/IMG_9690.JPG slides/xti_0618.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Albi Cathedral's vault frescoes are the largest (97 meters long by 28 meters wide) work of Italian Renaissance painting to be found anywhere in France. Commissioned by Louis II d'Amboise and dating from 1509 to 1512, the work was carried out by a team of Italian painters from Modena and Bologna. Set against a background of deep blue sky, the frescoes depict various designs, pastoral scenes, and major characters and events from the Old and New Testaments. Two sections are dedicated to St. Cecilia, patroness of the cathedral. Albi Cathedral's vault frescoes are the largest (97 meters long by 28 meters wide) work of Italian Renaissance painting to be found anywhere in France. Commissioned by Louis II d'Amboise and dating from 1509 to 1512, the work was carried out by a team of Italian painters from Modena and Bologna. Set against a background of deep blue sky, the frescoes depict various designs, pastoral scenes, and major characters and events from the Old and New Testaments. Two sections are dedicated to St. Cecilia, patroness of the cathedral. slides/xti_0618.JPG slides/xti_0604.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Fully painted walls and vault in the ambulatory at the east end. Fully painted walls and vault in the ambulatory at the east end. slides/xti_0604.JPG slides/IMG_9668.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 View west, over the top of the choir screen. View west, over the top of the choir screen. slides/IMG_9668.JPG slides/xti_0549.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Detail of the beautiful Flamboyant Gothic jub&eacute; separating the nave from the choir. Dating from 1474-84, it is delicately carved of limestone. Detail of the beautiful Flamboyant Gothic jub&eacute; separating the nave from the choir. Dating from 1474-84, it is delicately carved of limestone. slides/xti_0549.JPG slides/IMG_9705.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Detail of the beautiful Flamboyant Gothic jub&eacute; separating the nave from the choir. Dating from 1474-84, it is delicately carved of limestone. Detail of the beautiful Flamboyant Gothic jub&eacute; separating the nave from the choir. Dating from 1474-84, it is delicately carved of limestone. slides/IMG_9705.JPG slides/IMG_9659.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Detail of the beautiful Flamboyant Gothic jub&eacute; separating the nave from the choir. Dating from 1474-84, it is delicately carved of limestone. Detail of the beautiful Flamboyant Gothic jub&eacute; separating the nave from the choir. Dating from 1474-84, it is delicately carved of limestone. slides/IMG_9659.JPG slides/xti_0547.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Detail of the beautiful Flamboyant Gothic jub&eacute; separating the nave from the choir. Dating from 1474-84, it is delicately carved of limestone. Detail of the beautiful Flamboyant Gothic jub&eacute; separating the nave from the choir. Dating from 1474-84, it is delicately carved of limestone. slides/xti_0547.JPG slides/xti_0580b.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Looking west in the enclosed choir. The ornate choir screen, with its famous statues, dates from the 15th century. Looking west in the enclosed choir. The ornate choir screen, with its famous statues, dates from the 15th century. slides/xti_0580b.jpg slides/IMG_9682.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Looking west in the enclosed choir. The ornate choir screen, with its famous statues, dates from the 15th century. Looking west in the enclosed choir. The ornate choir screen, with its famous statues, dates from the 15th century. slides/IMG_9682.JPG slides/xti_0581.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0581.JPG slides/IMG_9684.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/IMG_9684.JPG slides/IMG_9685.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/IMG_9685.JPG slides/IMG_9692.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/IMG_9692.JPG slides/xti_0584.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0584.JPG slides/xti_0601.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0601.JPG slides/xti_0598.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0598.JPG slides/xti_0588.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0588.JPG slides/xti_0593.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The view when looking up in the choir. The view when looking up in the choir. slides/xti_0593.JPG slides/xti_0621.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0621.JPG slides/xti_0578.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Bishop's throne (Latin: <em>cathedra</em>) in the choir. Bishop's throne (Latin: <em>cathedra</em>) in the choir. slides/xti_0578.JPG slides/xti_0585.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 One of the skillfully-carved and painted statues of the choir screen, dating from c.1480. Each figure is carefully sculpted with an attention to detail in both their expression and appearance. One of the skillfully-carved and painted statues of the choir screen, dating from c.1480. Each figure is carefully sculpted with an attention to detail in both their expression and appearance. slides/xti_0585.JPG slides/xti_0602.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 One of the skillfully-carved and painted statues of the choir screen, dating from c.1480. Each figure is carefully sculpted with an attention to detail in both their expression and appearance. One of the skillfully-carved and painted statues of the choir screen, dating from c.1480. Each figure is carefully sculpted with an attention to detail in both their expression and appearance. slides/xti_0602.JPG slides/xti_0619.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Clock in the north ambulatory, apparently dating from 1788. Clock in the north ambulatory, apparently dating from 1788. slides/xti_0619.JPG slides/xti_0595.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 South ambulatory looking east, with the choir screen on the left. South ambulatory looking east, with the choir screen on the left. slides/xti_0595.JPG slides/xti_0596.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0596.JPG slides/xti_0603.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0603.JPG slides/IMG_9667.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/IMG_9667.JPG slides/IMG_9699.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The Chapel of the Holy Cross in the north ambulatory once contained a relic of the True Cross (destroyed in the Revolution). Its walls depict scenes from the legends of the Emperor Constantine and his mother St. Helena, who is credited with finding the cross in Jerusalem. There are also portraits of Cardinal John Joffrey and his nephews Helion and John, each shown kneeling with his patron saint (Jerome, Cecilia and John the Evangelist respectively). All three are buried in the chapel. The Chapel of the Holy Cross in the north ambulatory once contained a relic of the True Cross (destroyed in the Revolution). Its walls depict scenes from the legends of the Emperor Constantine and his mother St. Helena, who is credited with finding the cross in Jerusalem. There are also portraits of Cardinal John Joffrey and his nephews Helion and John, each shown kneeling with his patron saint (Jerome, Cecilia and John the Evangelist respectively). All three are buried in the chapel. slides/IMG_9699.JPG slides/xti_0605.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The Chapel of the Holy Cross in the north ambulatory once contained a relic of the True Cross (destroyed in the Revolution). Its walls depict scenes from the legends of the Emperor Constantine and his mother St. Helena, who is credited with finding the cross in Jerusalem. There are also portraits of Cardinal John Joffrey and his nephews Helion and John, each shown kneeling with his patron saint (Jerome, Cecilia and John the Evangelist respectively). All three are buried in the chapel. The Chapel of the Holy Cross in the north ambulatory once contained a relic of the True Cross (destroyed in the Revolution). Its walls depict scenes from the legends of the Emperor Constantine and his mother St. Helena, who is credited with finding the cross in Jerusalem. There are also portraits of Cardinal John Joffrey and his nephews Helion and John, each shown kneeling with his patron saint (Jerome, Cecilia and John the Evangelist respectively). All three are buried in the chapel. slides/xti_0605.JPG slides/xti_0609.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The Chapel of the Holy Cross in the north ambulatory once contained a relic of the True Cross (destroyed in the Revolution). Its walls depict scenes from the legends of the Emperor Constantine and his mother St. Helena, who is credited with finding the cross in Jerusalem. There are also portraits of Cardinal John Joffrey and his nephews Helion and John, each shown kneeling with his patron saint (Jerome, Cecilia and John the Evangelist respectively). All three are buried in the chapel. The Chapel of the Holy Cross in the north ambulatory once contained a relic of the True Cross (destroyed in the Revolution). Its walls depict scenes from the legends of the Emperor Constantine and his mother St. Helena, who is credited with finding the cross in Jerusalem. There are also portraits of Cardinal John Joffrey and his nephews Helion and John, each shown kneeling with his patron saint (Jerome, Cecilia and John the Evangelist respectively). All three are buried in the chapel. slides/xti_0609.JPG slides/xti_0611.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The Chapel of the Holy Cross in the north ambulatory once contained a relic of the True Cross (destroyed in the Revolution). Its walls depict scenes from the legends of the Emperor Constantine and his mother St. Helena, who is credited with finding the cross in Jerusalem. There are also portraits of Cardinal John Joffrey and his nephews Helion and John, each shown kneeling with his patron saint (Jerome, Cecilia and John the Evangelist respectively). All three are buried in the chapel. The Chapel of the Holy Cross in the north ambulatory once contained a relic of the True Cross (destroyed in the Revolution). Its walls depict scenes from the legends of the Emperor Constantine and his mother St. Helena, who is credited with finding the cross in Jerusalem. There are also portraits of Cardinal John Joffrey and his nephews Helion and John, each shown kneeling with his patron saint (Jerome, Cecilia and John the Evangelist respectively). All three are buried in the chapel. slides/xti_0611.JPG slides/xti_0612.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The Chapel of the Holy Cross in the north ambulatory once contained a relic of the True Cross (destroyed in the Revolution). Its walls depict scenes from the legends of the Emperor Constantine and his mother St. Helena, who is credited with finding the cross in Jerusalem. There are also portraits of Cardinal John Joffrey and his nephews Helion and John, each shown kneeling with his patron saint (Jerome, Cecilia and John the Evangelist respectively). All three are buried in the chapel. The Chapel of the Holy Cross in the north ambulatory once contained a relic of the True Cross (destroyed in the Revolution). Its walls depict scenes from the legends of the Emperor Constantine and his mother St. Helena, who is credited with finding the cross in Jerusalem. There are also portraits of Cardinal John Joffrey and his nephews Helion and John, each shown kneeling with his patron saint (Jerome, Cecilia and John the Evangelist respectively). All three are buried in the chapel. slides/xti_0612.JPG slides/xti_0607.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The Chapel of the Holy Cross in the north ambulatory once contained a relic of the True Cross (destroyed in the Revolution). Its walls depict scenes from the legends of the Emperor Constantine and his mother St. Helena, who is credited with finding the cross in Jerusalem. There are also portraits of Cardinal John Joffrey and his nephews Helion and John, each shown kneeling with his patron saint (Jerome, Cecilia and John the Evangelist respectively). All three are buried in the chapel. The Chapel of the Holy Cross in the north ambulatory once contained a relic of the True Cross (destroyed in the Revolution). Its walls depict scenes from the legends of the Emperor Constantine and his mother St. Helena, who is credited with finding the cross in Jerusalem. There are also portraits of Cardinal John Joffrey and his nephews Helion and John, each shown kneeling with his patron saint (Jerome, Cecilia and John the Evangelist respectively). All three are buried in the chapel. slides/xti_0607.JPG slides/IMG_9698.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 The Chapel of the Holy Cross in the north ambulatory once contained a relic of the True Cross (destroyed in the Revolution). Its walls depict scenes from the legends of the Emperor Constantine and his mother St. Helena, who is credited with finding the cross in Jerusalem. There are also portraits of Cardinal John Joffrey and his nephews Helion and John, each shown kneeling with his patron saint (Jerome, Cecilia and John the Evangelist respectively). All three are buried in the chapel. The Chapel of the Holy Cross in the north ambulatory once contained a relic of the True Cross (destroyed in the Revolution). Its walls depict scenes from the legends of the Emperor Constantine and his mother St. Helena, who is credited with finding the cross in Jerusalem. There are also portraits of Cardinal John Joffrey and his nephews Helion and John, each shown kneeling with his patron saint (Jerome, Cecilia and John the Evangelist respectively). All three are buried in the chapel. slides/IMG_9698.JPG slides/IMG_9679.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Polychrome replica of the sculpture of St. Cecilia's body from <a href="http://www.sacred-destinations.com/italy/rome-convent-of-santa-cecilia-in-trastevere.htm">Santa Cecilia in Trastevere</a> in <a href="http://www.sacred-destinations.com/italy/rome.htm">Rome</a>, in one of the side chapels. Polychrome replica of the sculpture of St. Cecilia's body from <a href="http://www.sacred-destinations.com/italy/rome-convent-of-santa-cecilia-in-trastevere.htm">Santa Cecilia in Trastevere</a> in <a href="http://www.sacred-destinations.com/italy/rome.htm">Rome</a>, in one of the side chapels. slides/IMG_9679.JPG slides/IMG_9680.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 Polychrome replica of the sculpture of St. Cecilia's body from <a href="http://www.sacred-destinations.com/italy/rome-convent-of-santa-cecilia-in-trastevere.htm">Santa Cecilia in Trastevere</a> in <a href="http://www.sacred-destinations.com/italy/rome.htm">Rome</a>, in one of the side chapels. Polychrome replica of the sculpture of St. Cecilia's body from <a href="http://www.sacred-destinations.com/italy/rome-convent-of-santa-cecilia-in-trastevere.htm">Santa Cecilia in Trastevere</a> in <a href="http://www.sacred-destinations.com/italy/rome.htm">Rome</a>, in one of the side chapels. slides/IMG_9680.JPG slides/xti_0569.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0569.JPG slides/xti_0570.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0570.JPG slides/xti_0573.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0573.JPG slides/xti_0575.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0575.JPG slides/xti_0576.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0576.JPG slides/IMG_9702.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/IMG_9702.JPG slides/xti_0614.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0614.JPG slides/xti_0613.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 slides/xti_0613.JPG slides/IMG_0082-pano.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. slides/IMG_0082-pano.jpg slides/IMG_0085.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. slides/IMG_0085.JPG slides/IMG_0086.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. slides/IMG_0086.JPG slides/IMG_0091.htm Thu, 18 Sep 2008 23:49:12 -0700 Jalbum 8.0 View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. View of Albi Cathedral and the Old Town from the Pont du 22 Aout 1944 to the northeast. slides/IMG_0091.JPG