[an error occurred while processing this directive]
L'Église de la Madeleine, L'Église Sainte-Marie-Madeleine, or simply La Madeleine, is a church dedicated to St. Mary Magdalene in Paris. It was designed as a classical temple to the glory of Napoleon's army.
History
Two false starts were made on building a church on this site. The first design, commissioned in 1757 with construction begun in 1764, was by Pierre Contant d'Ivry, and was based on Mansart's Late Baroque church of Les Invalides, with a dome surmounting a Latin cross.
In 1777 d'Ivry died and he was replaced by Guillaume-Martin Couture, who decided to start anew. He razed the incomplete construction and based his new design on the Roman Pantheon.
At the start of the Revolution, however, only the foundations had been finished and work was discontinued, while debate simmered as to what purpose the building might serve in Revolutionary France: a library, a ballroom, and a marketplace were all suggested.
In 1806 Napoleon made his decision, commissioning Pierre-Alexandre Barthélémy Vignon to build a Temple de la Gloire de la Grande Armée (Temple to the Glory of the Great Army) based on the design of an antique temple. The existing foundations were again razed and work began anew.
With completion of the Arc de Triomphe in 1808, the original commemorative role for the temple was blunted. After the fall of Napoleon, with the Catholic reaction during the Restoration, King Louis XVIII determined that the structure would be used as a church.
Vignon died in 1828 before completing the project and was replaced by Jacques-Marie Huvé. In 1837 it was briefly suggested that the building might best be utilized as a train station, but the building was finally consecrated as a church in 1842.
Today, the Madeleine is affiliated with a Benedictine abbey. Daily masses, concerts and the most fashionable weddings in Paris are celebrated here. A simpler crypt offers more intimate weekday masses.
What to See
The Madeleine is built in the Neo-Classical style and was inspired by the Maison Carrée at Nimes, the best-preserved of all Roman temples. Its 52 Corinthian columns, each 20 metres high, are carried around the entire exterior of the building.
The pediment is adorned with a sculptured relief of the Last Judgment by Lemaire; the church's bronze doors bear reliefs representing the Ten Commandments.
Inside, the church has a single nave with three domes, lavishly gilded in a decor inspired by Renaissance artists. At the rear of the church, above the high altar, stands a statue by Charles Marochetti depicting St Mary Magdalene being carried up to heaven by two angels.
The half-dome above the altar is covered with a fresco by Jules-Claude Ziegler, entitled The History of Christianity, showing the key figures in the Christian religion with - perhaps inevitably - Napoleon occupying centre stage.
The church has a celebrated pipe organ, built by Aristide Cavaillé-Coll (1811-1899), which is widely regarded as one of the best in Paris. The composers Camille Saint-Saëns and Gabriel Fauré were both organists at the Madeleine, and the funerals of Frédéric Chopin, Saint-Saëns, and Fauré were held there.
Quick Facts
Names:
L'Église de la Madeleine; L'Église Sainte-Marie-Madeleine; La Madeleine; Church of St. Mary Magdalene
Type of site:
Benedictine church and pantheon
Faith:
Roman Catholic
Status:
Active
Dates:
1806-42
Architecture:
Neoclassical
Location:
Pl. de la Madeleine, 8th arrondissement, near the Place de la Concorde and the Place Vendôme, Paris, France
Phone:
01-44-51-63-00
Metro:
Madeleine
Hours:
Mon.-Sat. 7:30-7, Sun. 8-7
Cost:
Free
[an error occurred while processing this directive]
[an error occurred while processing this directive]
L'Église de la Madeleine, L'Église Sainte-Marie-Madeleine, or simply La Madeleine, is a church dedicated to St. Mary Magdalene in Paris. It was designed as a classical temple to the glory of Napoleon's army.
History
Two false starts were made on building a church on this site. The first design, commissioned in 1757 with construction begun in 1764, was by Pierre Contant d'Ivry, and was based on Mansart's Late Baroque church of Les Invalides, with a dome surmounting a Latin cross.
In 1777 d'Ivry died and he was replaced by Guillaume-Martin Couture, who decided to start anew. He razed the incomplete construction and based his new design on the Roman Pantheon.
At the start of the Revolution, however, only the foundations had been finished and work was discontinued, while debate simmered as to what purpose the building might serve in Revolutionary France: a library, a ballroom, and a marketplace were all suggested.
In 1806 Napoleon made his decision, commissioning Pierre-Alexandre Barthélémy Vignon to build a Temple de la Gloire de la Grande Armée (Temple to the Glory of the Great Army) based on the design of an antique temple. The existing foundations were again razed and work began anew.
With completion of the Arc de Triomphe in 1808, the original commemorative role for the temple was blunted. After the fall of Napoleon, with the Catholic reaction during the Restoration, King Louis XVIII determined that the structure would be used as a church.
Vignon died in 1828 before completing the project and was replaced by Jacques-Marie Huvé. In 1837 it was briefly suggested that the building might best be utilized as a train station, but the building was finally consecrated as a church in 1842.
Today, the Madeleine is affiliated with a Benedictine abbey. Daily masses, concerts and the most fashionable weddings in Paris are celebrated here. A simpler crypt offers more intimate weekday masses.
What to See
The Madeleine is built in the Neo-Classical style and was inspired by the Maison Carrée at Nimes, the best-preserved of all Roman temples. Its 52 Corinthian columns, each 20 metres high, are carried around the entire exterior of the building.
The pediment is adorned with a sculptured relief of the Last Judgment by Lemaire; the church's bronze doors bear reliefs representing the Ten Commandments.
Inside, the church has a single nave with three domes, lavishly gilded in a decor inspired by Renaissance artists. At the rear of the church, above the high altar, stands a statue by Charles Marochetti depicting St Mary Magdalene being carried up to heaven by two angels.
The half-dome above the altar is covered with a fresco by Jules-Claude Ziegler, entitled The History of Christianity, showing the key figures in the Christian religion with - perhaps inevitably - Napoleon occupying centre stage.
The church has a celebrated pipe organ, built by Aristide Cavaillé-Coll (1811-1899), which is widely regarded as one of the best in Paris. The composers Camille Saint-Saëns and Gabriel Fauré were both organists at the Madeleine, and the funerals of Frédéric Chopin, Saint-Saëns, and Fauré were held there.
Quick Facts
Names:
L'Église de la Madeleine; L'Église Sainte-Marie-Madeleine; La Madeleine; Church of St. Mary Magdalene
Type of site:
Benedictine church and pantheon
Faith:
Roman Catholic
Status:
Active
Dates:
1806-42
Architecture:
Neoclassical
Location:
Pl. de la Madeleine, 8th arrondissement, near the Place de la Concorde and the Place Vendôme, Paris, France
Phone:
01-44-51-63-00
Metro:
Madeleine
Hours:
Mon.-Sat. 7:30-7, Sun. 8-7
Cost:
Free
[an error occurred while processing this directive]
[an error occurred while processing this directive]
L'Église de la Madeleine, L'Église Sainte-Marie-Madeleine, or simply La Madeleine, is a church dedicated to St. Mary Magdalene in Paris. It was designed as a classical temple to the glory of Napoleon's army.
History
Two false starts were made on building a church on this site. The first design, commissioned in 1757 with construction begun in 1764, was by Pierre Contant d'Ivry, and was based on Mansart's Late Baroque church of Les Invalides, with a dome surmounting a Latin cross.
In 1777 d'Ivry died and he was replaced by Guillaume-Martin Couture, who decided to start anew. He razed the incomplete construction and based his new design on the Roman Pantheon.
At the start of the Revolution, however, only the foundations had been finished and work was discontinued, while debate simmered as to what purpose the building might serve in Revolutionary France: a library, a ballroom, and a marketplace were all suggested.
In 1806 Napoleon made his decision, commissioning Pierre-Alexandre Barthélémy Vignon to build a Temple de la Gloire de la Grande Armée (Temple to the Glory of the Great Army) based on the design of an antique temple. The existing foundations were again razed and work began anew.
With completion of the Arc de Triomphe in 1808, the original commemorative role for the temple was blunted. After the fall of Napoleon, with the Catholic reaction during the Restoration, King Louis XVIII determined that the structure would be used as a church.
Vignon died in 1828 before completing the project and was replaced by Jacques-Marie Huvé. In 1837 it was briefly suggested that the building might best be utilized as a train station, but the building was finally consecrated as a church in 1842.
Today, the Madeleine is affiliated with a Benedictine abbey. Daily masses, concerts and the most fashionable weddings in Paris are celebrated here. A simpler crypt offers more intimate weekday masses.
What to See
The Madeleine is built in the Neo-Classical style and was inspired by the Maison Carrée at Nimes, the best-preserved of all Roman temples. Its 52 Corinthian columns, each 20 metres high, are carried around the entire exterior of the building.
The pediment is adorned with a sculptured relief of the Last Judgment by Lemaire; the church's bronze doors bear reliefs representing the Ten Commandments.
Inside, the church has a single nave with three domes, lavishly gilded in a decor inspired by Renaissance artists. At the rear of the church, above the high altar, stands a statue by Charles Marochetti depicting St Mary Magdalene being carried up to heaven by two angels.
The half-dome above the altar is covered with a fresco by Jules-Claude Ziegler, entitled The History of Christianity, showing the key figures in the Christian religion with - perhaps inevitably - Napoleon occupying centre stage.
The church has a celebrated pipe organ, built by Aristide Cavaillé-Coll (1811-1899), which is widely regarded as one of the best in Paris. The composers Camille Saint-Saëns and Gabriel Fauré were both organists at the Madeleine, and the funerals of Frédéric Chopin, Saint-Saëns, and Fauré were held there.
Quick Facts
Names:
L'Église de la Madeleine; L'Église Sainte-Marie-Madeleine; La Madeleine; Church of St. Mary Magdalene
Type of site:
Benedictine church and pantheon
Faith:
Roman Catholic
Status:
Active
Dates:
1806-42
Architecture:
Neoclassical
Location:
Pl. de la Madeleine, 8th arrondissement, near the Place de la Concorde and the Place Vendôme, Paris, France
Phone:
01-44-51-63-00
Metro:
Madeleine
Hours:
Mon.-Sat. 7:30-7, Sun. 8-7
Cost:
Free
[an error occurred while processing this directive]
[an error occurred while processing this directive]
L'Église de la Madeleine, L'Église Sainte-Marie-Madeleine, or simply La Madeleine, is a church dedicated to St. Mary Magdalene in Paris. It was designed as a classical temple to the glory of Napoleon's army.
History
Two false starts were made on building a church on this site. The first design, commissioned in 1757 with construction begun in 1764, was by Pierre Contant d'Ivry, and was based on Mansart's Late Baroque church of Les Invalides, with a dome surmounting a Latin cross.
In 1777 d'Ivry died and he was replaced by Guillaume-Martin Couture, who decided to start anew. He razed the incomplete construction and based his new design on the Roman Pantheon.
At the start of the Revolution, however, only the foundations had been finished and work was discontinued, while debate simmered as to what purpose the building might serve in Revolutionary France: a library, a ballroom, and a marketplace were all suggested.
In 1806 Napoleon made his decision, commissioning Pierre-Alexandre Barthélémy Vignon to build a Temple de la Gloire de la Grande Armée (Temple to the Glory of the Great Army) based on the design of an antique temple. The existing foundations were again razed and work began anew.
With completion of the Arc de Triomphe in 1808, the original commemorative role for the temple was blunted. After the fall of Napoleon, with the Catholic reaction during the Restoration, King Louis XVIII determined that the structure would be used as a church.
Vignon died in 1828 before completing the project and was replaced by Jacques-Marie Huvé. In 1837 it was briefly suggested that the building might best be utilized as a train station, but the building was finally consecrated as a church in 1842.
Today, the Madeleine is affiliated with a Benedictine abbey. Daily masses, concerts and the most fashionable weddings in Paris are celebrated here. A simpler crypt offers more intimate weekday masses.
What to See
The Madeleine is built in the Neo-Classical style and was inspired by the Maison Carrée at Nimes, the best-preserved of all Roman temples. Its 52 Corinthian columns, each 20 metres high, are carried around the entire exterior of the building.
The pediment is adorned with a sculptured relief of the Last Judgment by Lemaire; the church's bronze doors bear reliefs representing the Ten Commandments.
Inside, the church has a single nave with three domes, lavishly gilded in a decor inspired by Renaissance artists. At the rear of the church, above the high altar, stands a statue by Charles Marochetti depicting St Mary Magdalene being carried up to heaven by two angels.
The half-dome above the altar is covered with a fresco by Jules-Claude Ziegler, entitled The History of Christianity, showing the key figures in the Christian religion with - perhaps inevitably - Napoleon occupying centre stage.
The church has a celebrated pipe organ, built by Aristide Cavaillé-Coll (1811-1899), which is widely regarded as one of the best in Paris. The composers Camille Saint-Saëns and Gabriel Fauré were both organists at the Madeleine, and the funerals of Frédéric Chopin, Saint-Saëns, and Fauré were held there.
Quick Facts
Names:
L'Église de la Madeleine; L'Église Sainte-Marie-Madeleine; La Madeleine; Church of St. Mary Magdalene
Type of site:
Benedictine church and pantheon
Faith:
Roman Catholic
Status:
Active
Dates:
1806-42
Architecture:
Neoclassical
Location:
Pl. de la Madeleine, 8th arrondissement, near the Place de la Concorde and the Place Vendôme, Paris, France
Phone:
01-44-51-63-00
Metro:
Madeleine
Hours:
Mon.-Sat. 7:30-7, Sun. 8-7
Cost:
Free
[an error occurred while processing this directive]
[an error occurred while processing this directive]
L'Église de la Madeleine, L'Église Sainte-Marie-Madeleine, or simply La Madeleine, is a church dedicated to St. Mary Magdalene in Paris. It was designed as a classical temple to the glory of Napoleon's army.
History
Two false starts were made on building a church on this site. The first design, commissioned in 1757 with construction begun in 1764, was by Pierre Contant d'Ivry, and was based on Mansart's Late Baroque church of Les Invalides, with a dome surmounting a Latin cross.
In 1777 d'Ivry died and he was replaced by Guillaume-Martin Couture, who decided to start anew. He razed the incomplete construction and based his new design on the Roman Pantheon.
At the start of the Revolution, however, only the foundations had been finished and work was discontinued, while debate simmered as to what purpose the building might serve in Revolutionary France: a library, a ballroom, and a marketplace were all suggested.
In 1806 Napoleon made his decision, commissioning Pierre-Alexandre Barthélémy Vignon to build a Temple de la Gloire de la Grande Armée (Temple to the Glory of the Great Army) based on the design of an antique temple. The existing foundations were again razed and work began anew.
With completion of the Arc de Triomphe in 1808, the original commemorative role for the temple was blunted. After the fall of Napoleon, with the Catholic reaction during the Restoration, King Louis XVIII determined that the structure would be used as a church.
Vignon died in 1828 before completing the project and was replaced by Jacques-Marie Huvé. In 1837 it was briefly suggested that the building might best be utilized as a train station, but the building was finally consecrated as a church in 1842.
Today, the Madeleine is affiliated with a Benedictine abbey. Daily masses, concerts and the most fashionable weddings in Paris are celebrated here. A simpler crypt offers more intimate weekday masses.
What to See
The Madeleine is built in the Neo-Classical style and was inspired by the Maison Carrée at Nimes, the best-preserved of all Roman temples. Its 52 Corinthian columns, each 20 metres high, are carried around the entire exterior of the building.
The pediment is adorned with a sculptured relief of the Last Judgment by Lemaire; the church's bronze doors bear reliefs representing the Ten Commandments.
Inside, the church has a single nave with three domes, lavishly gilded in a decor inspired by Renaissance artists. At the rear of the church, above the high altar, stands a statue by Charles Marochetti depicting St Mary Magdalene being carried up to heaven by two angels.
The half-dome above the altar is covered with a fresco by Jules-Claude Ziegler, entitled The History of Christianity, showing the key figures in the Christian religion with - perhaps inevitably - Napoleon occupying centre stage.
The church has a celebrated pipe organ, built by Aristide Cavaillé-Coll (1811-1899), which is widely regarded as one of the best in Paris. The composers Camille Saint-Saëns and Gabriel Fauré were both organists at the Madeleine, and the funerals of Frédéric Chopin, Saint-Saëns, and Fauré were held there.
Quick Facts
Names:
L'Église de la Madeleine; L'Église Sainte-Marie-Madeleine; La Madeleine; Church of St. Mary Magdalene
Type of site:
Benedictine church and pantheon
Faith:
Roman Catholic
Status:
Active
Dates:
1806-42
Architecture:
Neoclassical
Location:
Pl. de la Madeleine, 8th arrondissement, near the Place de la Concorde and the Place Vendôme, Paris, France
Phone:
01-44-51-63-00
Metro:
Madeleine
Hours:
Mon.-Sat. 7:30-7, Sun. 8-7
Cost:
Free
[an error occurred while processing this directive]
[an error occurred while processing this directive]
L'Église de la Madeleine, L'Église Sainte-Marie-Madeleine, or simply La Madeleine, is a church dedicated to St. Mary Magdalene in Paris. It was designed as a classical temple to the glory of Napoleon's army.
History
Two false starts were made on building a church on this site. The first design, commissioned in 1757 with construction begun in 1764, was by Pierre Contant d'Ivry, and was based on Mansart's Late Baroque church of Les Invalides, with a dome surmounting a Latin cross.
In 1777 d'Ivry died and he was replaced by Guillaume-Martin Couture, who decided to start anew. He razed the incomplete construction and based his new design on the Roman Pantheon.
At the start of the Revolution, however, only the foundations had been finished and work was discontinued, while debate simmered as to what purpose the building might serve in Revolutionary France: a library, a ballroom, and a marketplace were all suggested.
In 1806 Napoleon made his decision, commissioning Pierre-Alexandre Barthélémy Vignon to build a Temple de la Gloire de la Grande Armée (Temple to the Glory of the Great Army) based on the design of an antique temple. The existing foundations were again razed and work began anew.
With completion of the Arc de Triomphe in 1808, the original commemorative role for the temple was blunted. After the fall of Napoleon, with the Catholic reaction during the Restoration, King Louis XVIII determined that the structure would be used as a church.
Vignon died in 1828 before completing the project and was replaced by Jacques-Marie Huvé. In 1837 it was briefly suggested that the building might best be utilized as a train station, but the building was finally consecrated as a church in 1842.
Today, the Madeleine is affiliated with a Benedictine abbey. Daily masses, concerts and the most fashionable weddings in Paris are celebrated here. A simpler crypt offers more intimate weekday masses.
What to See
The Madeleine is built in the Neo-Classical style and was inspired by the Maison Carrée at Nimes, the best-preserved of all Roman temples. Its 52 Corinthian columns, each 20 metres high, are carried around the entire exterior of the building.
The pediment is adorned with a sculptured relief of the Last Judgment by Lemaire; the church's bronze doors bear reliefs representing the Ten Commandments.
Inside, the church has a single nave with three domes, lavishly gilded in a decor inspired by Renaissance artists. At the rear of the church, above the high altar, stands a statue by Charles Marochetti depicting St Mary Magdalene being carried up to heaven by two angels.
The half-dome above the altar is covered with a fresco by Jules-Claude Ziegler, entitled The History of Christianity, showing the key figures in the Christian religion with - perhaps inevitably - Napoleon occupying centre stage.
The church has a celebrated pipe organ, built by Aristide Cavaillé-Coll (1811-1899), which is widely regarded as one of the best in Paris. The composers Camille Saint-Saëns and Gabriel Fauré were both organists at the Madeleine, and the funerals of Frédéric Chopin, Saint-Saëns, and Fauré were held there.
Quick Facts
Names:
L'Église de la Madeleine; L'Église Sainte-Marie-Madeleine; La Madeleine; Church of St. Mary Magdalene
Type of site:
Benedictine church and pantheon
Faith:
Roman Catholic
Status:
Active
Dates:
1806-42
Architecture:
Neoclassical
Location:
Pl. de la Madeleine, 8th arrondissement, near the Place de la Concorde and the Place Vendôme, Paris, France
Phone:
01-44-51-63-00
Metro:
Madeleine
Hours:
Mon.-Sat. 7:30-7, Sun. 8-7
Cost:
Free
[an error occurred while processing this directive]
[an error occurred while processing this directive]
L'Église de la Madeleine, L'Église Sainte-Marie-Madeleine, or simply La Madeleine, is a church dedicated to St. Mary Magdalene in Paris. It was designed as a classical temple to the glory of Napoleon's army.
History
Two false starts were made on building a church on this site. The first design, commissioned in 1757 with construction begun in 1764, was by Pierre Contant d'Ivry, and was based on Mansart's Late Baroque church of Les Invalides, with a dome surmounting a Latin cross.
In 1777 d'Ivry died and he was replaced by Guillaume-Martin Couture, who decided to start anew. He razed the incomplete construction and based his new design on the Roman Pantheon.
At the start of the Revolution, however, only the foundations had been finished and work was discontinued, while debate simmered as to what purpose the building might serve in Revolutionary France: a library, a ballroom, and a marketplace were all suggested.
In 1806 Napoleon made his decision, commissioning Pierre-Alexandre Barthélémy Vignon to build a Temple de la Gloire de la Grande Armée (Temple to the Glory of the Great Army) based on the design of an antique temple. The existing foundations were again razed and work began anew.
With completion of the Arc de Triomphe in 1808, the original commemorative role for the temple was blunted. After the fall of Napoleon, with the Catholic reaction during the Restoration, King Louis XVIII determined that the structure would be used as a church.
Vignon died in 1828 before completing the project and was replaced by Jacques-Marie Huvé. In 1837 it was briefly suggested that the building might best be utilized as a train station, but the building was finally consecrated as a church in 1842.
Today, the Madeleine is affiliated with a Benedictine abbey. Daily masses, concerts and the most fashionable weddings in Paris are celebrated here. A simpler crypt offers more intimate weekday masses.
What to See
The Madeleine is built in the Neo-Classical style and was inspired by the Maison Carrée at Nimes, the best-preserved of all Roman temples. Its 52 Corinthian columns, each 20 metres high, are carried around the entire exterior of the building.
The pediment is adorned with a sculptured relief of the Last Judgment by Lemaire; the church's bronze doors bear reliefs representing the Ten Commandments.
Inside, the church has a single nave with three domes, lavishly gilded in a decor inspired by Renaissance artists. At the rear of the church, above the high altar, stands a statue by Charles Marochetti depicting St Mary Magdalene being carried up to heaven by two angels.
The half-dome above the altar is covered with a fresco by Jules-Claude Ziegler, entitled The History of Christianity, showing the key figures in the Christian religion with - perhaps inevitably - Napoleon occupying centre stage.
The church has a celebrated pipe organ, built by Aristide Cavaillé-Coll (1811-1899), which is widely regarded as one of the best in Paris. The composers Camille Saint-Saëns and Gabriel Fauré were both organists at the Madeleine, and the funerals of Frédéric Chopin, Saint-Saëns, and Fauré were held there.
Quick Facts
Names:
L'Église de la Madeleine; L'Église Sainte-Marie-Madeleine; La Madeleine; Church of St. Mary Magdalene
Type of site:
Benedictine church and pantheon
Faith:
Roman Catholic
Status:
Active
Dates:
1806-42
Architecture:
Neoclassical
Location:
Pl. de la Madeleine, 8th arrondissement, near the Place de la Concorde and the Place Vendôme, Paris, France
Phone:
01-44-51-63-00
Metro:
Madeleine
Hours:
Mon.-Sat. 7:30-7, Sun. 8-7
Cost:
Free
[an error occurred while processing this directive]
[an error occurred while processing this directive]
L'Église de la Madeleine, L'Église Sainte-Marie-Madeleine, or simply La Madeleine, is a church dedicated to St. Mary Magdalene in Paris. It was designed as a classical temple to the glory of Napoleon's army.
History
Two false starts were made on building a church on this site. The first design, commissioned in 1757 with construction begun in 1764, was by Pierre Contant d'Ivry, and was based on Mansart's Late Baroque church of Les Invalides, with a dome surmounting a Latin cross.
In 1777 d'Ivry died and he was replaced by Guillaume-Martin Couture, who decided to start anew. He razed the incomplete construction and based his new design on the Roman Pantheon.
At the start of the Revolution, however, only the foundations had been finished and work was discontinued, while debate simmered as to what purpose the building might serve in Revolutionary France: a library, a ballroom, and a marketplace were all suggested.
In 1806 Napoleon made his decision, commissioning Pierre-Alexandre Barthélémy Vignon to build a Temple de la Gloire de la Grande Armée (Temple to the Glory of the Great Army) based on the design of an antique temple. The existing foundations were again razed and work began anew.
With completion of the Arc de Triomphe in 1808, the original commemorative role for the temple was blunted. After the fall of Napoleon, with the Catholic reaction during the Restoration, King Louis XVIII determined that the structure would be used as a church.
Vignon died in 1828 before completing the project and was replaced by Jacques-Marie Huvé. In 1837 it was briefly suggested that the building might best be utilized as a train station, but the building was finally consecrated as a church in 1842.
Today, the Madeleine is affiliated with a Benedictine abbey. Daily masses, concerts and the most fashionable weddings in Paris are celebrated here. A simpler crypt offers more intimate weekday masses.
What to See
The Madeleine is built in the Neo-Classical style and was inspired by the Maison Carrée at Nimes, the best-preserved of all Roman temples. Its 52 Corinthian columns, each 20 metres high, are carried around the entire exterior of the building.
The pediment is adorned with a sculptured relief of the Last Judgment by Lemaire; the church's bronze doors bear reliefs representing the Ten Commandments.
Inside, the church has a single nave with three domes, lavishly gilded in a decor inspired by Renaissance artists. At the rear of the church, above the high altar, stands a statue by Charles Marochetti depicting St Mary Magdalene being carried up to heaven by two angels.
The half-dome above the altar is covered with a fresco by Jules-Claude Ziegler, entitled The History of Christianity, showing the key figures in the Christian religion with - perhaps inevitably - Napoleon occupying centre stage.
The church has a celebrated pipe organ, built by Aristide Cavaillé-Coll (1811-1899), which is widely regarded as one of the best in Paris. The composers Camille Saint-Saëns and Gabriel Fauré were both organists at the Madeleine, and the funerals of Frédéric Chopin, Saint-Saëns, and Fauré were held there.
Quick Facts
Names:
L'Église de la Madeleine; L'Église Sainte-Marie-Madeleine; La Madeleine; Church of St. Mary Magdalene
Type of site:
Benedictine church and pantheon
Faith:
Roman Catholic
Status:
Active
Dates:
1806-42
Architecture:
Neoclassical
Location:
Pl. de la Madeleine, 8th arrondissement, near the Place de la Concorde and the Place Vendôme, Paris, France
Phone:
01-44-51-63-00
Metro:
Madeleine
Hours:
Mon.-Sat. 7:30-7, Sun. 8-7
Cost:
Free
[an error occurred while processing this directive]
[an error occurred while processing this directive]
[an error occurred while processing this directive]
[an error occurred while processing this directive]
[an error occurred while processing this directive]
L'Église de la Madeleine, L'Église Sainte-Marie-Madeleine, or simply La Madeleine, is a church dedicated to St. Mary Magdalene in Paris. It was designed as a classical temple to the glory of Napoleon's army.
History
Two false starts were made on building a church on this site. The first design, commissioned in 1757 with construction begun in 1764, was by Pierre Contant d'Ivry, and was based on Mansart's Late Baroque church of Les Invalides, with a dome surmounting a Latin cross.
In 1777 d'Ivry died and he was replaced by Guillaume-Martin Couture, who decided to start anew. He razed the incomplete construction and based his new design on the Roman Pantheon.
At the start of the Revolution, however, only the foundations had been finished and work was discontinued, while debate simmered as to what purpose the building might serve in Revolutionary France: a library, a ballroom, and a marketplace were all suggested.
In 1806 Napoleon made his decision, commissioning Pierre-Alexandre Barthélémy Vignon to build a Temple de la Gloire de la Grande Armée (Temple to the Glory of the Great Army) based on the design of an antique temple. The existing foundations were again razed and work began anew.
With completion of the Arc de Triomphe in 1808, the original commemorative role for the temple was blunted. After the fall of Napoleon, with the Catholic reaction during the Restoration, King Louis XVIII determined that the structure would be used as a church.
Vignon died in 1828 before completing the project and was replaced by Jacques-Marie Huvé. In 1837 it was briefly suggested that the building might best be utilized as a train station, but the building was finally consecrated as a church in 1842.
Today, the Madeleine is affiliated with a Benedictine abbey. Daily masses, concerts and the most fashionable weddings in Paris are celebrated here. A simpler crypt offers more intimate weekday masses.
What to See
The Madeleine is built in the Neo-Classical style and was inspired by the Maison Carrée at Nimes, the best-preserved of all Roman temples. Its 52 Corinthian columns, each 20 metres high, are carried around the entire exterior of the building.
The pediment is adorned with a sculptured relief of the Last Judgment by Lemaire; the church's bronze doors bear reliefs representing the Ten Commandments.
Inside, the church has a single nave with three domes, lavishly gilded in a decor inspired by Renaissance artists. At the rear of the church, above the high altar, stands a statue by Charles Marochetti depicting St Mary Magdalene being carried up to heaven by two angels.
The half-dome above the altar is covered with a fresco by Jules-Claude Ziegler, entitled The History of Christianity, showing the key figures in the Christian religion with - perhaps inevitably - Napoleon occupying centre stage.
The church has a celebrated pipe organ, built by Aristide Cavaillé-Coll (1811-1899), which is widely regarded as one of the best in Paris. The composers Camille Saint-Saëns and Gabriel Fauré were both organists at the Madeleine, and the funerals of Frédéric Chopin, Saint-Saëns, and Fauré were held there.
Quick Facts
Names:
L'Église de la Madeleine; L'Église Sainte-Marie-Madeleine; La Madeleine; Church of St. Mary Magdalene
Type of site:
Benedictine church and pantheon
Faith:
Roman Catholic
Status:
Active
Dates:
1806-42
Architecture:
Neoclassical
Location:
Pl. de la Madeleine, 8th arrondissement, near the Place de la Concorde and the Place Vendôme, Paris, France
Phone:
01-44-51-63-00
Metro:
Madeleine
Hours:
Mon.-Sat. 7:30-7, Sun. 8-7
Cost:
Free
La Madeleine Church, Paris
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La Madeleine, Paris
Glimpse of La Madeleine (center) through a fountain of the Place de la
Concorde. Photo Ramón Durán.
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L'Église de la Madeleine, L'Église Sainte-Marie-Madeleine, or simply La Madeleine, is a church dedicated to St. Mary Magdalene in Paris. It was designed as a classical temple to the glory of Napoleon's army.
History
Two false starts were made on building a church on this site. The first design, commissioned in 1757 with construction begun in 1764, was by Pierre Contant d'Ivry, and was based on Mansart's Late Baroque church of Les Invalides, with a dome surmounting a Latin cross.
In 1777 d'Ivry died and he was replaced by Guillaume-Martin Couture, who decided to start anew. He razed the incomplete construction and based his new design on the Roman Pantheon.
At the start of the Revolution, however, only the foundations had been finished and work was discontinued, while debate simmered as to what purpose the building might serve in Revolutionary France: a library, a ballroom, and a marketplace were all suggested.
In 1806 Napoleon made his decision, commissioning Pierre-Alexandre Barthélémy Vignon to build a Temple de la Gloire de la Grande Armée (Temple to the Glory of the Great Army) based on the design of an antique temple. The existing foundations were again razed and work began anew.
With completion of the Arc de Triomphe in 1808, the original commemorative role for the temple was blunted. After the fall of Napoleon, with the Catholic reaction during the Restoration, King Louis XVIII determined that the structure would be used as a church.
Vignon died in 1828 before completing the project and was replaced by Jacques-Marie Huvé. In 1837 it was briefly suggested that the building might best be utilized as a train station, but the building was finally consecrated as a church in 1842.
Today, the Madeleine is affiliated with a Benedictine abbey. Daily masses, concerts and the most fashionable weddings in Paris are celebrated here. A simpler crypt offers more intimate weekday masses.
What to See
The Madeleine is built in the Neo-Classical style and was inspired by the Maison Carrée at Nimes, the best-preserved of all Roman temples. Its 52 Corinthian columns, each 20 metres high, are carried around the entire exterior of the building.
The pediment is adorned with a sculptured relief of the Last Judgment by Lemaire; the church's bronze doors bear reliefs representing the Ten Commandments.
Inside, the church has a single nave with three domes, lavishly gilded in a decor inspired by Renaissance artists. At the rear of the church, above the high altar, stands a statue by Charles Marochetti depicting St Mary Magdalene being carried up to heaven by two angels.
The half-dome above the altar is covered with a fresco by Jules-Claude Ziegler, entitled The History of Christianity, showing the key figures in the Christian religion with - perhaps inevitably - Napoleon occupying centre stage.
The church has a celebrated pipe organ, built by Aristide Cavaillé-Coll (1811-1899), which is widely regarded as one of the best in Paris. The composers Camille Saint-Saëns and Gabriel Fauré were both organists at the Madeleine, and the funerals of Frédéric Chopin, Saint-Saëns, and Fauré were held there.
Quick Facts
Names:
L'Église de la Madeleine; L'Église Sainte-Marie-Madeleine; La Madeleine; Church of St. Mary Magdalene
Type of site:
Benedictine church and pantheon
Faith:
Roman Catholic
Status:
Active
Dates:
1806-42
Architecture:
Neoclassical
Location:
Pl. de la Madeleine, 8th arrondissement, near the Place de la Concorde and the Place Vendôme, Paris, France
Phone:
01-44-51-63-00
Metro:
Madeleine
Hours:
Mon.-Sat. 7:30-7, Sun. 8-7
Cost:
Free
[an error occurred while processing this directive]
[an error occurred while processing this directive]
L'Église de la Madeleine, L'Église Sainte-Marie-Madeleine, or simply La Madeleine, is a church dedicated to St. Mary Magdalene in Paris. It was designed as a classical temple to the glory of Napoleon's army.
History
Two false starts were made on building a church on this site. The first design, commissioned in 1757 with construction begun in 1764, was by Pierre Contant d'Ivry, and was based on Mansart's Late Baroque church of Les Invalides, with a dome surmounting a Latin cross.
In 1777 d'Ivry died and he was replaced by Guillaume-Martin Couture, who decided to start anew. He razed the incomplete construction and based his new design on the Roman Pantheon.
At the start of the Revolution, however, only the foundations had been finished and work was discontinued, while debate simmered as to what purpose the building might serve in Revolutionary France: a library, a ballroom, and a marketplace were all suggested.
In 1806 Napoleon made his decision, commissioning Pierre-Alexandre Barthélémy Vignon to build a Temple de la Gloire de la Grande Armée (Temple to the Glory of the Great Army) based on the design of an antique temple. The existing foundations were again razed and work began anew.
With completion of the Arc de Triomphe in 1808, the original commemorative role for the temple was blunted. After the fall of Napoleon, with the Catholic reaction during the Restoration, King Louis XVIII determined that the structure would be used as a church.
Vignon died in 1828 before completing the project and was replaced by Jacques-Marie Huvé. In 1837 it was briefly suggested that the building might best be utilized as a train station, but the building was finally consecrated as a church in 1842.
Today, the Madeleine is affiliated with a Benedictine abbey. Daily masses, concerts and the most fashionable weddings in Paris are celebrated here. A simpler crypt offers more intimate weekday masses.
What to See
The Madeleine is built in the Neo-Classical style and was inspired by the Maison Carrée at Nimes, the best-preserved of all Roman temples. Its 52 Corinthian columns, each 20 metres high, are carried around the entire exterior of the building.
The pediment is adorned with a sculptured relief of the Last Judgment by Lemaire; the church's bronze doors bear reliefs representing the Ten Commandments.
Inside, the church has a single nave with three domes, lavishly gilded in a decor inspired by Renaissance artists. At the rear of the church, above the high altar, stands a statue by Charles Marochetti depicting St Mary Magdalene being carried up to heaven by two angels.
The half-dome above the altar is covered with a fresco by Jules-Claude Ziegler, entitled The History of Christianity, showing the key figures in the Christian religion with - perhaps inevitably - Napoleon occupying centre stage.
The church has a celebrated pipe organ, built by Aristide Cavaillé-Coll (1811-1899), which is widely regarded as one of the best in Paris. The composers Camille Saint-Saëns and Gabriel Fauré were both organists at the Madeleine, and the funerals of Frédéric Chopin, Saint-Saëns, and Fauré were held there.
Quick Facts
Names:
L'Église de la Madeleine; L'Église Sainte-Marie-Madeleine; La Madeleine; Church of St. Mary Magdalene
Type of site:
Benedictine church and pantheon
Faith:
Roman Catholic
Status:
Active
Dates:
1806-42
Architecture:
Neoclassical
Location:
Pl. de la Madeleine, 8th arrondissement, near the Place de la Concorde and the Place Vendôme, Paris, France
Phone:
01-44-51-63-00
Metro:
Madeleine
Hours:
Mon.-Sat. 7:30-7, Sun. 8-7
Cost:
Free
[an error occurred while processing this directive]
[an error occurred while processing this directive]
L'Église de la Madeleine, L'Église Sainte-Marie-Madeleine, or simply La Madeleine, is a church dedicated to St. Mary Magdalene in Paris. It was designed as a classical temple to the glory of Napoleon's army.
History
Two false starts were made on building a church on this site. The first design, commissioned in 1757 with construction begun in 1764, was by Pierre Contant d'Ivry, and was based on Mansart's Late Baroque church of Les Invalides, with a dome surmounting a Latin cross.
In 1777 d'Ivry died and he was replaced by Guillaume-Martin Couture, who decided to start anew. He razed the incomplete construction and based his new design on the Roman Pantheon.
At the start of the Revolution, however, only the foundations had been finished and work was discontinued, while debate simmered as to what purpose the building might serve in Revolutionary France: a library, a ballroom, and a marketplace were all suggested.
In 1806 Napoleon made his decision, commissioning Pierre-Alexandre Barthélémy Vignon to build a Temple de la Gloire de la Grande Armée (Temple to the Glory of the Great Army) based on the design of an antique temple. The existing foundations were again razed and work began anew.
With completion of the Arc de Triomphe in 1808, the original commemorative role for the temple was blunted. After the fall of Napoleon, with the Catholic reaction during the Restoration, King Louis XVIII determined that the structure would be used as a church.
Vignon died in 1828 before completing the project and was replaced by Jacques-Marie Huvé. In 1837 it was briefly suggested that the building might best be utilized as a train station, but the building was finally consecrated as a church in 1842.
Today, the Madeleine is affiliated with a Benedictine abbey. Daily masses, concerts and the most fashionable weddings in Paris are celebrated here. A simpler crypt offers more intimate weekday masses.
What to See
The Madeleine is built in the Neo-Classical style and was inspired by the Maison Carrée at Nimes, the best-preserved of all Roman temples. Its 52 Corinthian columns, each 20 metres high, are carried around the entire exterior of the building.
The pediment is adorned with a sculptured relief of the Last Judgment by Lemaire; the church's bronze doors bear reliefs representing the Ten Commandments.
Inside, the church has a single nave with three domes, lavishly gilded in a decor inspired by Renaissance artists. At the rear of the church, above the high altar, stands a statue by Charles Marochetti depicting St Mary Magdalene being carried up to heaven by two angels.
The half-dome above the altar is covered with a fresco by Jules-Claude Ziegler, entitled The History of Christianity, showing the key figures in the Christian religion with - perhaps inevitably - Napoleon occupying centre stage.
The church has a celebrated pipe organ, built by Aristide Cavaillé-Coll (1811-1899), which is widely regarded as one of the best in Paris. The composers Camille Saint-Saëns and Gabriel Fauré were both organists at the Madeleine, and the funerals of Frédéric Chopin, Saint-Saëns, and Fauré were held there.
Quick Facts
Names:
L'Église de la Madeleine; L'Église Sainte-Marie-Madeleine; La Madeleine; Church of St. Mary Magdalene
Type of site:
Benedictine church and pantheon
Faith:
Roman Catholic
Status:
Active
Dates:
1806-42
Architecture:
Neoclassical
Location:
Pl. de la Madeleine, 8th arrondissement, near the Place de la Concorde and the Place Vendôme, Paris, France
Phone:
01-44-51-63-00
Metro:
Madeleine
Hours:
Mon.-Sat. 7:30-7, Sun. 8-7
Cost:
Free
[an error occurred while processing this directive]
[an error occurred while processing this directive]
L'Église de la Madeleine, L'Église Sainte-Marie-Madeleine, or simply La Madeleine, is a church dedicated to St. Mary Magdalene in Paris. It was designed as a classical temple to the glory of Napoleon's army.
History
Two false starts were made on building a church on this site. The first design, commissioned in 1757 with construction begun in 1764, was by Pierre Contant d'Ivry, and was based on Mansart's Late Baroque church of Les Invalides, with a dome surmounting a Latin cross.
In 1777 d'Ivry died and he was replaced by Guillaume-Martin Couture, who decided to start anew. He razed the incomplete construction and based his new design on the Roman Pantheon.
At the start of the Revolution, however, only the foundations had been finished and work was discontinued, while debate simmered as to what purpose the building might serve in Revolutionary France: a library, a ballroom, and a marketplace were all suggested.
In 1806 Napoleon made his decision, commissioning Pierre-Alexandre Barthélémy Vignon to build a Temple de la Gloire de la Grande Armée (Temple to the Glory of the Great Army) based on the design of an antique temple. The existing foundations were again razed and work began anew.
With completion of the Arc de Triomphe in 1808, the original commemorative role for the temple was blunted. After the fall of Napoleon, with the Catholic reaction during the Restoration, King Louis XVIII determined that the structure would be used as a church.
Vignon died in 1828 before completing the project and was replaced by Jacques-Marie Huvé. In 1837 it was briefly suggested that the building might best be utilized as a train station, but the building was finally consecrated as a church in 1842.
Today, the Madeleine is affiliated with a Benedictine abbey. Daily masses, concerts and the most fashionable weddings in Paris are celebrated here. A simpler crypt offers more intimate weekday masses.
What to See
The Madeleine is built in the Neo-Classical style and was inspired by the Maison Carrée at Nimes, the best-preserved of all Roman temples. Its 52 Corinthian columns, each 20 metres high, are carried around the entire exterior of the building.
The pediment is adorned with a sculptured relief of the Last Judgment by Lemaire; the church's bronze doors bear reliefs representing the Ten Commandments.
Inside, the church has a single nave with three domes, lavishly gilded in a decor inspired by Renaissance artists. At the rear of the church, above the high altar, stands a statue by Charles Marochetti depicting St Mary Magdalene being carried up to heaven by two angels.
The half-dome above the altar is covered with a fresco by Jules-Claude Ziegler, entitled The History of Christianity, showing the key figures in the Christian religion with - perhaps inevitably - Napoleon occupying centre stage.
The church has a celebrated pipe organ, built by Aristide Cavaillé-Coll (1811-1899), which is widely regarded as one of the best in Paris. The composers Camille Saint-Saëns and Gabriel Fauré were both organists at the Madeleine, and the funerals of Frédéric Chopin, Saint-Saëns, and Fauré were held there.
Quick Facts
Names:
L'Église de la Madeleine; L'Église Sainte-Marie-Madeleine; La Madeleine; Church of St. Mary Magdalene
Type of site:
Benedictine church and pantheon
Faith:
Roman Catholic
Status:
Active
Dates:
1806-42
Architecture:
Neoclassical
Location:
Pl. de la Madeleine, 8th arrondissement, near the Place de la Concorde and the Place Vendôme, Paris, France
Phone:
01-44-51-63-00
Metro:
Madeleine
Hours:
Mon.-Sat. 7:30-7, Sun. 8-7
Cost:
Free
[an error occurred while processing this directive]
[an error occurred while processing this directive]
L'Église de la Madeleine, L'Église Sainte-Marie-Madeleine, or simply La Madeleine, is a church dedicated to St. Mary Magdalene in Paris. It was designed as a classical temple to the glory of Napoleon's army.
History
Two false starts were made on building a church on this site. The first design, commissioned in 1757 with construction begun in 1764, was by Pierre Contant d'Ivry, and was based on Mansart's Late Baroque church of Les Invalides, with a dome surmounting a Latin cross.
In 1777 d'Ivry died and he was replaced by Guillaume-Martin Couture, who decided to start anew. He razed the incomplete construction and based his new design on the Roman Pantheon.
At the start of the Revolution, however, only the foundations had been finished and work was discontinued, while debate simmered as to what purpose the building might serve in Revolutionary France: a library, a ballroom, and a marketplace were all suggested.
In 1806 Napoleon made his decision, commissioning Pierre-Alexandre Barthélémy Vignon to build a Temple de la Gloire de la Grande Armée (Temple to the Glory of the Great Army) based on the design of an antique temple. The existing foundations were again razed and work began anew.
With completion of the Arc de Triomphe in 1808, the original commemorative role for the temple was blunted. After the fall of Napoleon, with the Catholic reaction during the Restoration, King Louis XVIII determined that the structure would be used as a church.
Vignon died in 1828 before completing the project and was replaced by Jacques-Marie Huvé. In 1837 it was briefly suggested that the building might best be utilized as a train station, but the building was finally consecrated as a church in 1842.
Today, the Madeleine is affiliated with a Benedictine abbey. Daily masses, concerts and the most fashionable weddings in Paris are celebrated here. A simpler crypt offers more intimate weekday masses.
What to See
The Madeleine is built in the Neo-Classical style and was inspired by the Maison Carrée at Nimes, the best-preserved of all Roman temples. Its 52 Corinthian columns, each 20 metres high, are carried around the entire exterior of the building.
The pediment is adorned with a sculptured relief of the Last Judgment by Lemaire; the church's bronze doors bear reliefs representing the Ten Commandments.
Inside, the church has a single nave with three domes, lavishly gilded in a decor inspired by Renaissance artists. At the rear of the church, above the high altar, stands a statue by Charles Marochetti depicting St Mary Magdalene being carried up to heaven by two angels.
The half-dome above the altar is covered with a fresco by Jules-Claude Ziegler, entitled The History of Christianity, showing the key figures in the Christian religion with - perhaps inevitably - Napoleon occupying centre stage.
The church has a celebrated pipe organ, built by Aristide Cavaillé-Coll (1811-1899), which is widely regarded as one of the best in Paris. The composers Camille Saint-Saëns and Gabriel Fauré were both organists at the Madeleine, and the funerals of Frédéric Chopin, Saint-Saëns, and Fauré were held there.
Quick Facts
Names:
L'Église de la Madeleine; L'Église Sainte-Marie-Madeleine; La Madeleine; Church of St. Mary Magdalene
Type of site:
Benedictine church and pantheon
Faith:
Roman Catholic
Status:
Active
Dates:
1806-42
Architecture:
Neoclassical
Location:
Pl. de la Madeleine, 8th arrondissement, near the Place de la Concorde and the Place Vendôme, Paris, France
Phone:
01-44-51-63-00
Metro:
Madeleine
Hours:
Mon.-Sat. 7:30-7, Sun. 8-7
Cost:
Free
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Ramón Durán. 
